Tag: Victorian costumes

  • A Fancy Dress Ball, Singapore, 1884

    Newspapers of the era often published lists of the costumes worn by guests at fancy dress balls.  The lists were typically provided in advance, so it's possible not all of the costumes worked out, as anyone who's ever tried to finish a costume at the last minute before a ball will understand.

    The lists below are from a fancy dress ball held by British expatriates in Singapore and are taken from an article on the ball published in the Singapore newspaper Strait Times Weekly on February 23, 1884.

    From the description of the ball itself:

    On Thursday evening, the Fancy Dress Ball, which for some time past had been looked forward to, took place at the Town Hall.  The upper room is well known to all visitors as being one of the handsomest in the Far East.  On the present occasion it was simply and tastefully decorated, in a manner which was well adapted to enhance the architectural features of the building.  The result was such as might have been expected from the interest evinced by the fairer portion of the community, and the skill and attention they bestowed upon their costumes, which contributed so materially to the success of the entertainment.  One could not fail to notice, among the many handsome dresses, that there were several in the disposal and arrangement of which the fair owners displayed an intimate and correct knowledge of true artistic and aesthetic principles.  The style of the costumes was exceedingly diversified, some being of a purely classic type and thus pertaining to the tragic, while there were some which were the representatives of comedy, and others again which successively adopted comic character.

    The general effeect [sic] of the intermingling of thse many and varied styles and colors, whether seen in the Hall itself or viewed from the gallery above, furnished a spectacle not only charming to the eye, but one which those who witnessed it, will not readily forget…

    …Dancing commenced shortly after nine with an opening quadrille which extended the entire length of hte Hall.  The floor was in excellent condition, and the music was performed by the Regimental Band of the Royal Inniskilling Fusiliers.  It is no wonder that these and other attractions rendered the visitors loth [sic] to part, and prolonged the dancing after supper far into the small hours.  At what precise time the company would have separated it is difficult to determine, as dancing only stopped upon the Band playing the National Anthem.

    The entire article may be found online at the website of the National Library of Singapore.

    In looking through the lists of costumes, some trends are obvious: historical costumes of the previous few centuries, characters from plays, and national/ethnic costumes of various kinds.  Classic fancy dress costumes such as Harlequin and Folly are also represented.  More unusual examples are the gentlemen attending as "Bat" and "Paint Box" and the lady depicting "Economy."  There are also a few cop-outs: "Civil Service Uniform" and "Evening dress, 19th century" suggest that not all the attendees made any special effort at costuming.

    While some couples may have coordinated costumes — the Cavalier and the Lady of the 17th century appear to be husband and wife — it is actually more common for the costumes not to match: Ralph Rackstraw wth Follie, Peasant of the Black Forest with Persian Lady, and so forth.  The substantial disparity in numbers between ladies and gentleman probably reflects the nature of society in a distant colonial posting of that era.

    Here are the lists of costumes, reformatted to separate the ladies' and gentlemen's costumes and with the names of the wearers omitted to save space:

    (more…)

  • Jumping Joan

    (Here’s a cute little girl’s costume from a Mother Goose nursery rhyme.)

    Suitable for a Child. Tall and pointed cap, pink and white stripes carried round; soft pink silk dress with honeycomb yoke, a skipping-rope round waist; sleeves with puff at shoulder, slashed puffs at elbow, cuffs falling over the hand.

    Source: Holt, Ardern.  Fancy Dresses Described, 5th Edition.  London: Debenham & Freebody, 1887.

    The rhyme:

    Here am I, little jumping Joan,
    When nobody’s with me
    I’m always alone.

  • Pot-au-Feu

    (This is one of those ideas that leaves me sputtering with laughter, especially the idea for the headpiece. Oh, for an illustration!)

    White satin dress strung with all kinds of vegetables; black velvet bodice to simulate a saucepan, handles form the epaulettes to the sleeves; head-dress like the lid of saucepan.

    Source: Holt, Ardern.  Fancy Dresses Described, 5th Edition.  London: Debenham & Freebody, 1887.